The bad news about being an academic in the humanities is that you get to read a lot, and you don't always get to choose what you read but you have to find an interest if you're going to write about it.
Right now, this never-ending story of a piece that I am working on has me reading some things that are worthy, even brilliant, but are a little . . . trying. Here are some additional irritations to add to last year's post.
- Religious doctrine, religious reflection--very important, I know, but reading this stuff is a slog for me. "Be a good person, the end" is my medieval-peasant style level of understanding, if that's not an insult to medieval peasants.
- Travel writing. I love the blog entries that you all post from travels in other countries, but straight travel writing, 19th-century style, reads sort of like this: "As we meandered down the [word in another language], we were greeted by the [ditto], with their charming [ditto] beside them as they [ditto] in happy expectation of our [ditto]," followed by a paragraph describing the local flora and fauna in exhaustive and exhausting detail. It's Mad Libs, international style. I don't lose my will to live, but I do lose my will to read.
- Modernist texts that like to play hide the person's name, or the pronoun reference, or the central defining event of the book by mentioning it once in 400 pages. I understand why that's important and representationally sophisticated and the rest, but for trying to slog through, please give us a name. Please.
- Cruelty to animals and children. If they show up in a contemporary text, you need to look out, because often they won't last long and will be dispatched in highly unpleasant and lengthily described detail to prove that the author isn't "sentimental." I gave up on John Updike's Roger's Version because of this, and you have heard me rant before about Lolita. "But look at the wordplay and the language," I was told. "Lolita herself is just a girl, just incidental." Not to me, she's not.
Edited to add: Nope--child cruelty and death. Modern fiction, you never disappoint in your predictability.
What kind of reading do you find tough to get through?
*Updated to add: The Man Booker Prize this year goes to George Saunders's Lincoln in the Bardo, which is by all accounts wonderful, and which I want to read--but it features #4 (Lincoln mourning his dead child) and #3 (a surreal, experimental style that one account said will leave you not understanding what's happening for chapters at a time). Just . . . leaving that out there.